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Then follows an uncomfortable silence. "How you were all laughing when we came in!" says Violet, presently: "we could hear you all along the corridor. What was it about?" "Go to the spring," said the chief, "and tell that young man to let the girl go; she is to be my wife.".

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He is a little disappointed by the calmness of her answer. "We were talking of love, I think," says Rodney, innocently, as though the tender passion as subsisting between the opposite sexes had been the subject of the conversation. Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud." "Yes, I have got it," also in a subdued whisper. "And, oh, Geoffrey, it is just too lovely! It's downright delicious; and satin, too! It must"—reproachfully—"have cost a great deal, and after all you told me about being poor! But," with a sudden change of tone, forgetting reproach and extravagance and everything, "it is exactly the color I love best, and what I have been dreaming of for years.".